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STEVE HACKETT
02, The Rio Connection (3:19)
03, Matilda Smith-Williams Home For The Aged (8:04)
04, Let Me Count The Ways (6:05)
05, A Doll That's Made In Japan (3:56)
06, Duel (4:48)
07, Myopia (2:54)
08, Taking The Easy Way Out (3:48)
09, The Gulf (6:30) BONUS
10, Stadiums Of The Damned (4:37) BONUS
11, When You Wish Upon A Star (0:48)
koto, marimba, harmonica, percussion, rainstick, vocals
NICK MAGNUS -keyboards, drum programming, percussion
FERNANDO MOURA -Rhodes
CLIVE STEVENS -wind synthesizers
WALDEMAR FALCÃO -flute percussion
RONALDO DIAMANTE -bass
RUI MOTA -drums
SÉRGIO LIMA -drums
IAN MOSLEY -drums, percussion
KIM POOR -japanese voice (5)
SIDINHO MOREIRA -brazilian percussion
JUNIOR HOMRICH -brazilian percussion
JABURU -brazilian percussion
ENINHA -brazilian percussion
ZIZINHO -brazilian percussion
BACA -brazilian percussion
STEVE HACKETT 
Till We Have Faces
RELEASED
1984
TYPE
studio album
STYLES
art rock, prograssive rock
TRACKS
01, What's My Name (7:04)02, The Rio Connection (3:19)
03, Matilda Smith-Williams Home For The Aged (8:04)
04, Let Me Count The Ways (6:05)
05, A Doll That's Made In Japan (3:56)
06, Duel (4:48)
07, Myopia (2:54)
08, Taking The Easy Way Out (3:48)
09, The Gulf (6:30) BONUS
10, Stadiums Of The Damned (4:37) BONUS
11, When You Wish Upon A Star (0:48)
DURATION
52:00
MUSICIANS
STEVE HACKETT -guitars, guitar synthesizers, etruscan guitars,koto, marimba, harmonica, percussion, rainstick, vocals
NICK MAGNUS -keyboards, drum programming, percussion
FERNANDO MOURA -Rhodes
CLIVE STEVENS -wind synthesizers
WALDEMAR FALCÃO -flute percussion
RONALDO DIAMANTE -bass
RUI MOTA -drums
SÉRGIO LIMA -drums
IAN MOSLEY -drums, percussion
KIM POOR -japanese voice (5)
SIDINHO MOREIRA -brazilian percussion
JUNIOR HOMRICH -brazilian percussion
JABURU -brazilian percussion
ENINHA -brazilian percussion
ZIZINHO -brazilian percussion
BACA -brazilian percussion
PRODUCED BY
STEVE HACKETT
REVIEW
Progresivně art rocková, osmá sólovka "Till We Have Faces", obsahuje prvky world music a byla z větší části nahrána v Brazílii (finální mix je však Made in London). Název alba je dle románu Clive Staplese Lewise, jehož dílo na mnoho let tvorbu Steve Hacketta ovlivnilo. Reedice z roku 1994.